The Canon EOS M6 Mark II is a camera designed for enthusiast photographers that was revealed to the public on 2019-09-15 and is equipped with an APS-C sensor. When it comes to the price ( buy Canon EOS M6 Mark II from Amazon ), the Canon EOS M6 Mark II costs $849.33 for body-only and joins company’s APS-C camera line up with a 32.5MP CMOS sensor. Operation using AC power supported with AC Adapter CA-PS700 and DC Coupler DR-E17. USB Power Adapter PD-E1 cannot be used to power EOS M6 Mark II, but can charge battery pack while in-camera. * By default, the camera is set for power saving. * Time when playing back a slideshow of still images. Canon EOS M6 Mark II Specs. (UHS-II supported) Sony ZV-1F 6.7% Sony a7 IV 2.5% Fujifilm X-T4 1.9% Sony a7S III 1.4% Fujifilm X-T3 1.2% Sony FX30 1.1% Canon With the EOS M6 Mark II, Canon has taken its midrange mirrorless game up a notch. Offering the highest-res APS-C sensor on the market, 4K video, super-fast burst shooting and comfortable ergonomics, the M6 II is compact and a real pleasure to shoot with. Get all the details in our full review. The EOS M6 Mark II camera blends high-quality optics with a compact, mirrorless design. A 32.5 Megapixel CMOS (APS-C) sensor, DIGIC 8 Image Processor, high-speed shooting and more features combine to make capturing sharp, inspiring images and videos easy, wherever or whenever the moment strikes. Electronic Viewfinder High Coverage/Resolution Cameraworld Bellville. Free Courier Delivery to your door with Tracking & Insurance - Buy this i By Beth Nicholls. published May 06, 2022. The Canon EOS M6 Mark II has reportedly been discontinued. What does this mean for the future of the M series? Canon EOS M6 Mark II (Image credit: Canon) It is being reported that the Canon EOS M6 Mark II has been discontinued, raising questions about the future of Canon's APS-C mirrorless system. SgLTaZJ. Introduction Announced at the same time as the EOS 90D DSLR, the Canon EOS M6 Mark II is a new mid-range mirrorless camera aimed at enthusiast photographers. It has a megapixel APS-C CMOS sensor, the highest resolution ever found in a Canon cropped sensor mirrorless camera, which is joined by Canon’s latest Digic 8 processor. On the video side, there’s 4K recording at up to 30p and Full HD footage at frame rates up to 120p. 4K is uncropped, which potentially makes the M6 II just as appealing to videographers as to stills photographers. This is a fast camera - 14fps burst shooting is available when using the Canon M6 Mark II and there's also a special 30fps RAW burst mode with autofocus tracking. Weighing in at just 408g including the battery and memory card, the Canon EOS M6 Mark II is small and light enough to fit in a jacket pocket. The Canon M6 Mark II is priced at £ / €1, / $ body only or £1, / €1, / $1099 with the EF-M 15-45mm IS STM lens and EVF-DC2 viewfinder, and $ for EF-M 18-150mm IS STM and EVF-DC2 kit. Ease of Use Front of the Canon EOS M6 Mark II Canon has borrowed a quote from filmmaker John Hughes’ arguably best movie Ferris Bueller’s Day Off with regard to promotion of its latest EOS M6 Mark II mirrorless. Namely Because life moves pretty fast…’. However, it’s fair to say that the manufacturer’s EOS mirrorless series has in fact rather slowly – some would say tardily – evolved over the past few years as an increasingly credible DSLR alternative. Although its most recent possibly most significant development in the EOS R full frame series aimed at high end amateurs and professionals has stolen headlines and column inches of late, the manufacturer continues however to release more obviously consumer-targeted alternatives, such as the APS-C sensor incorporating Canon M6 Mark II. Rear of the Canon EOS M6 Mark II It’s the latter, in replacing the original M6 that has just landed on the Photography Blog test slab, following on from our first look’ a couple of months back. With this latest Canon costing a body-only £850 in the UK manufacturer’s suggested price, competing models in the EOS M6 Mark II’s orbit include the likes of the recent Sony A6400, plus the newer sub-£1000 Nikon Z 50 and Fujifilm X-A7. Like the above, this one is for capturing spontaneous moments – more so than a bulkier DSLR. We found it a particularly adept tool for street photography – it’s not large enough to be immediately noticed by unsuspecting subjects – at least not until you raise the camera to your face; the alternative is using the unit’s handily flip-up LCD screen. Top of the Canon EOS M6 Mark II While its manufacturer may believe the Canon M6 Mark II is aimed at the technically savvy enthusiast, we found its handling and operation to be straightforward enough and were able to pick it up and start using it without a second thought – which is a sign of good, or at least considered, design. Though overall the camera may be diminutive, we also found its grip is comfortably rounded – sufficiently so to make for a good and firm hold. Its maker admits though that nothing much has altered as regards this model’s design, when compared with the original M6. The latest version weighs 408g without lens, which makes it portable enough to place into a jacket pocket or bag so as to be ready for those shoot-from-the-hip moments. Tilting LCD Screen We had the Canon M6 Mark II supplied with a retractable 15-45mm f/ IS STM kit zoom. Though the fact that the lens is retractable helps keep camera and lens proportions minimal, and aids transportation making the set up small enough in combination to stuff into a jacket pocket, it’s a bit of a pain to have to remember to extend the lens every time you switch the camera on, prior to being able to loose off a shot. That caught us out a few times to start with and we missed the shot in question. Fortunately, of course, there is a growing number of alternative lenses available for the EOS M system plus over 70 compatible EF and EF-S lenses if you choose to invest in a separate mount adapter for the Canon EOS M6 Mark II. So hopefully the M’ system is one that will stand the test of time. In terms of other accessories, there’s a vacant hotshoe for adding an accessory flash if so desired. Otherwise, the integral flash pops up with a definate action thanks to a tightly wound spring – even if the crane-like construction of the flash arm’ feels a little flimsy and exposed when fully revealed, as if a stiff breeze would knock it from its precarious perch. The Optional Viewfinder While design of the Canon EOS M6 Mark II may not have changed greatly from previous generations, what’s new here is a megapixel APS-C and Digic 8 processor, while its ISO range now matches the 90D DSLR bigger brother announced alongside it. So here we get a camera offering a core ISO range from ISO100 to 25600, expandable to ISO51200. Auto focus response is such that the Mark II is able to boast an impressively swift 14fps capture speed, plus 1/16000 sec electronic shutter. What we found more useful on a daily basis is that there’s a tilting touch screen once again, with enough of an intrinsic pivot for the screen to be faced towards the subject, or angled so the user can gaze down on it and shoot in a style that apes using a medium format camera. Flip-up LCD Screen The alternative is to plump for the addition of Canon’s EVF-DC2 electronic viewfinder kit, also helpfully supplied along with our review sample. There’s no optical viewfinder otherwise built in here, so you’ll need to budget for the EVF on top of the £850 body-only price, and whatever lens option you choose, or look for a bundle deal for best value. Usefully the EVF features a built-in eye sensor that immediately activates it as it detects your eye. It also has a button on the side for locking and unlocking, while the view through it is as sharp and clear as we’d expect. Adding it does however increase the camera’s overall dimensions and bulk, as it sits relatively proud of the camera body – which is perhaps why Canon has made it optional. As with most modern digital cameras, when it comes to shooting video the choice here is between 4K and Full HD 1920x1280 pixels video, the former enabling captures of up to 25fps, while the latter offers up to a cinematic 60fps. The Canon EOS M6 Mark II In-hand For image sharing and transferal, Wi-Fi and Bluetooth transfer are offered – so as we can see this is a camera ticking most of our proverbial boxes. While the rear screen of the Canon M6 Mark II is helpfully a touch screen, with icons sufficiently large so as to enable their selection with a fingertip, we also get plenty of physical controls, both atop the camera – including shooting mode wheel and not one but two control dials encircling the shutter release button and on/off switch – on its back plate. This makes for an intuitive best of both worlds solution in our eyes, which we much prefer. Thus it’s possible to use the manual controls and almost forget there is a touch screen option, or go for said touch screen as a short cut to functions that would otherwise involve drilling inconveniently into menu screens such as selecting ISO, for example, which could really do with a dedicated marked button. Memory Card Slot That being said, we have to acknowledge that Canon’s menu screens for us are pretty much the most logically and clearly laid out and delineated, making navigation both quick and easy. With the LCD screen dominating just over two thirds the back plate, thumb operated buttons are ranged to the right of this. These include a familiar four way directional pad encircled by a scroll wheel, at the centre is a quick menu/ set button, and, around this a means of selecting and adjusting exposure compensation, flash options, a drive mode for selecting burst or single shot captures, plus the always handy trash can icon denoting the ability to delete images. Ranged above this are self explanatory info and red video record buttons, while below are equally obvious playback and menu buttons. Rather than the function being provided on the barrel of the lens itself, the topper-most control on the camera back is for switching between auto and manual focus. Battery Compartment Flick this switch and adjust manual focus via the ring provided on the front of the lens, which is all pretty straightforward and intuitive, the rear LCD being large enough for the user to be able to witness said manual adjustments in real time. While one flank of the Canon EOS M6 Mark II features a rubber flap protecting standard mini ports for both HDMI and USB leads, the other helpfully provides inputs for a microphone and a remote, with a flick-switch for activating the pop up flash ergonomically provided just above, where it falls readily under the thumb of the left hand when holding the camera. As expected the Canon M6 Mark II’s base features a centrally located screw thread for a tripod, plus a covered port housing rechargeable battery and SD card slot. Pop-up Flash We recharged the battery once and got several days of use out of the camera, though the official stats suggest a relatively paltry 305 shots or 80 minutes of video from a full charge, which can be bumped up to approximately 410 shots if selecting eco’ mode. Overall the Canon M6 Mark II is a well-constructed, well thought out camera that handles just as well as expected and which we enjoyed using over the almost two weeks we spent in its company. The only issue for Canon is that there are a lot of cameras in the M6 MKII’s price bracket that you could say the same of right now, for those not already allied to, or convinced by, Canon’s own consumer-level mirrorless system. Perhaps the images it delivers will drive a convincing wedge between this and its rivals and aid our buying decision? Read on to find out... Image Quality All of the sample images in this review were taken using the 32 megapixel Fine JPEG setting, which gives an average image size of around 9Mb. While we were certainly pleased with the images we derived from the Canon EOS M6 Mark II, we weren’t totally blown away by them. Sure there’s a pleasing amount of detail, but images aren’t always as pin sharp as we’d have liked, considering the price tag of this camera which takes it beyond that of the average high-end smartphone handset. Perhaps a prime lens rather than the compact and retractable optic supplied with the camera in its kit form would have, ultimately, served us better. In terms of low light performance, the camera makes a reasonable fist of it. Images are usable up until ISO 25600 at which point noise is visibly intruding without needing to enlarge sections of an image to check. Grittiness and a loss of detail in the images is much more pronounced still at user extendable maximum ISO 51200 setting – so much so that it’s debatable whether the top whack setting is actually worth using or is, we suspect, just there to look good on the spec sheet. This is a camera you’ll need to play around with a bit to get the best results we feel. For example adjusting the ISO and exposure compensation delivered better results when shooting handheld at night than simply falling back on the multi shot burst of the fully auto night scene mode. While its auto focus performance is generally good enough that we didn’t feel the need to switch over to manual focus, these are things you pick up on with a little more time and familiarity. Noise ISO sensitivity can be set between ISO 100 and ISO 25600 in full-stop increments. Here are some 100% crops which show the noise levels for each ISO setting, with JPEG on the left and the RAW equivalent on the right. JPEG RAW ISO 100 100% Crop ISO 100 100% Crop ISO 200 100% Crop ISO 200 100% Crop ISO 400 100% Crop ISO 400 100% Crop ISO 800 100% Crop ISO 800 100% Crop ISO 1600 100% Crop ISO 1600 100% Crop ISO 3200 100% Crop ISO 3200 100% Crop ISO 6400 100% Crop ISO 6400 100% Crop ISO 12800 100% Crop ISO 12800 100% Crop ISO 25600 100% Crop ISO 25600 100% Crop ISO 51200 100% Crop ISO 51200 100% Crop Night The Canon EOS M6 Mark II's maximum shutter speed is 30 seconds and there's a Bulb mode for even longer exposures, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 1/5 second, aperture of f/5 at ISO 6400. Night Flash The flash settings on the Canon EOS M6 Mark II are Auto, Manual Flash On/Off, and Red-Eye Reduction. These shots of a white coloured wall were taken at a distance of 1m. Flash Off - Wide Angle Flash On - Wide Angle Flash Off - Telephoto Flash On - Telephoto Flash On Sample Images This is a selection of sample images from the Canon EOS M6 Mark II camera, which were all taken using the 32 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way. Sample RAW Images The Canon EOS M6 Mark II enables users to capture RAW and JPEG format files. We've provided some Canon RAW CR3 samples for you to download thumbnail images shown below are not 100% representative. Sample Movies & Video This is a sample movie at the highest quality setting of 3840x2160 at 25 frames per second. Please note that this 20 second movie is 292Mb in size. This is a sample movie at the highest quality setting of 3840x2160 at 25 frames per second. Please note that this 41 second movie is 594Mb in size. Product Images Conclusion If you’re looking to get into interchangeable lens photography to exert a little more control over image functions and settings than your smartphone will allow, then the Canon EOS M6 Mark II is a good and straightforward enough place to start. It allows you to begin your photographic journey’ by pointing and shooting, before then gradually work your way around more precise manual controls as your understanding of the camera and personal skillset improves. This camera is particularly good for street and travel photography, where its swift auto focusing, subject tracking, compact size and unobtrusive looks work in the photographer’s favour. Though we think the price of the Canon M6 Mark II is fair in the current market, we do wonder whether it could prove a stumbling block for those adopting an EOS M camera for the first time. Will those seeking to get into interchangeable lens photography have the £850 to start with? That’s before they even think about adding lenses, the optional electronic viewfinder, accessory flash and possibly microphone to exert more control and creativity and get even more out of this camera than they can straight out of the box. Having been using full frame cameras with larger lenses of late we found the image quality delivered didn’t impress us as much in comparison but that’s only to be expected. Overall then, we found surprising little to criticize in relation to the Canon EOS M6 Mark II. Ratings out of 5 Design 4 Features 4 Ease-of-use 4 Image quality 4 Value for money Main Rivals Listed below are some of the rivals of the Canon EOS M6 Mark II. Dubbed the Little Giant by Fujifilm, the new X-T30 mirrorless camera takes most of the things that we loved about the flagship X-T3 and packages them into a smaller, lighter body. It even has a few tricks up its sleeve that the X-T3 doesn't currently offer, most notably a more advanced auto-focusing system. Read our Fujifilm X-T30 review to find out how it compares to the X-T3 and the previous X-T20, and why you should definitely consider buying this new mid-range mirrorless camera... Nikon have introduced their first APS-C, cropped-sensor mirrorless camera with the launch of the Z50, accompanied by two kit zoom lenses. Can the Z50 take on the likes of the well established Sony A6000-series and Canon EOS-M range, not to mention Fujifilm with its line-up of excellent APS-C bodies and lenses? Find out now by reading our in-depth Nikon Z50 review. The mid-range interchangeable lens camera market is fiercely fought, with a huge array of formats on offer from all the major camera manufacturers. Enter stage left Panasonic with the new Lumix G90 / G95, a camera that aims to satisfy both photographers and videographers alike. Can it pull off this tricky feat? Read our in-depth Panasonic Lumix G90 / G95 review to find out... The Sony A6400 is a new mirrorless camera with an APS-C size sensor and a cutting-edge auto-focusing system. With megapixels, 4K movie recording, a touchscreen 180-degree LCD touchscreen, 11fps burst shooting, electronic viewfinder, built-in flash, and Wi-fi / Bluetooth / NFC connectivity, is this the best APS-C camera on the market? Read our Sony Alpha A6400 review to find out... Review Roundup Reviews of the Canon EOS M6 Mark II from around the web. Canon's M6 Mark II is a camera with two different faces. On the plus side, it delivers 14 fps burst shooting speeds, beating all of its rival products. It also has fast autofocus with eye- and face-detection that's good, though not quite up to Sony's level. Read the full review » The EOS M6 Mark II becomes Canon’s flagship mirrorless camera with an APSC sensor. The combination of a new Megapixel sensor and DIGIC 8 processor banishes many of the annoyances of earlier Canon bodies, allowing the M6 II to shoot uncropped 4k video and 14fps bursts, both with decent autofocus. Read the full review » Specifications Image Sensor Effective Pixels Approx. Megapixels Total Pixels Approx. Megapixels Low-Pass Filter Built-in/Fixed Sensor Cleaning EOS integrated cleaning system Colour Filter Type Primary Colour Image Processor Lens Lens Mount EF-M EF and EF-S lenses compatible via Mount adapter EF-EOS M Focal Length Equivalent to the focal length of the lens Image Stabilisation Optical Image Stabilizer on compatible lenses. Stills Dual sensing IS available with compatible lenses. Movie Movie Digital IS, Combination IS Focusing Type Dual Pixel CMOS AF System. Phase detection pixels built onto imaging sensor 1 AF System / Points Maximum 143/99 points depending on lens. Freely position 1 AF point / 1 AF Zone via manual selection area available lens dependent AF working range EV -5 - 18 at 23°C, ISO 100, with EF-M 32mm f/ STM AF Modes One-Shot AF and Servo AF AF Point Selection Face + Tracking Face and subject tracking via automatic recognition / manual selection via touchscreen. Automatic selection over AF points when no face recognised within frame. Eye AF Enables Eye detection and focusing in 1-shot and servo AF Spot AF Enables AF in a pinpoint area, half the size of 1-point AF Zone AF Manual zone selection, plus automatic selection over AF points within selected zone 1-point AF Manual selection via touchscreen / buttons Selected AF point display Indicated on LCD monitor / EVF AF Lock Locked when shutter button is pressed half way or customisable AE Lock Button AF Assist Beam via LED assist beam Manual Focus With EF & EF-S lenses - Select via AF/MF switch on lens With EF-M lenses - Select via dedicated MF Button / other customisable buttons toggle AF/MF. MF Peaking available AF+MF available Manual focus adjustment after One-Shot AF Magnify image available during MF 5x or 10x Focus Bracketing Available with the following lenses EF-M 28mm f/ Macro IS STM EF-M 15-45mm f/ IS STM EF-M 18-150mm f/ IS STM EF 16-35mm f/4L IS USM EF 24-70mm f/4L IS USM EF 100mm f/ Macro IS USM EF 180mm f/ Macro USM EF-S 35mm f/ Macro IS STM EF-S 60mm f/ Macro USM EF-S 18-135mm f/ IS USM Exposure Control Metering modes Real-time metering from the image sensor 1 Evaluative metering 384 zones 2 Partial metering at center approx. of Live View Screen 3 Center weighted average metering 4 Spot metering approx. of Live View Screen Evaluative and center weight average are available in movie recording Metering Range Still image EV -2 - 20 at 23 °C, ISO 100 Movie EV 0 - 20 at 23 °C, ISO 100 AE Lock Auto In One-shot AF mode with evaluative metering exposure is locked when focus is achieved. Manual By AE lock Button in creative zone modes. Exposure Compensation +/-3 EV in 1/3 or 1/2 stop increments AEB +/- 3 EV, in 1/2 or 1/3-stop increments can be used together with Exposure Compensation ISO Sensitivity ISO AUTO 100 - 25600, 100 - 25600 in 1/3 stop increments. ISO can be expanded to 51200 Movie exposure ISO AUTO 100 - 12800, 100 - 25600 expanded in 1/3-stop increments Movie auto slow shutter supported2 Shutter Type Vertical-travel mechanical focal-plane shutter, electronically controlled at all speeds Speed 30 - 1/4000 sec 1/3 stop increments, Bulb Total shutter speed range. Available range varies by shooting mode White Balance Type Auto white balance with the imaging sensor Settings Auto Ambience Priority, Auto White Priority, Daylight, Shade, Cloudy, Tungsten light, White Fluorescent light, Flash, Custom, Colour Temperature 100 Kelvin increments White balance compensation 1. Blue/Amber +/-9 levels 2. Magenta/Green +/-9 levels Custom White Balance Yes, 1 setting can be registered WB Bracketing +/-3 levels in single level increments Selectable Blue/Amber bias or Magenta/Green bias. White balance shift and AEB can also be set in combination Viewfinder Type Optional Electronic Viewfinder EVF-DC1, EVF-DC2 Viewfinder Information With EVF-DC2 Customisable and toggle via INFO. Button 1 Liveview image with exposure info 2 Liveview image with basic info 3 Liveview image with full info Customisable settings Shooting Info, Grid overlay x3 formats, Histogram Brightness/RGB, Electronic Level, Aspect Ratio Depth of field preview Yes LCD Monitor Type cm ClearView II Touchscreen LCD TFT. 32 aspect ratio. Approx. 1,040,000 dots. Electrostatic capacitive type. Tiltable 180 degrees up and 45 degrees down. Brightness Adjustment Adjustable to one of seven levels Display Options Customisable and toggle via INFO. Button 1 Liveview image with basic info 2 Liveview image with full info 3 Liveview image with on screen buttons Customisable settings Shooting Info, Grid overlay x3 formats, Histogram Brightness/RGB, Electronic Level, Aspect Ratio Flash Built-in Flash GN ISO 100, meters Built-in Flash Coverage Maximum coverage at approx. 15mm 35mm equivalent approx. 24mm Built-in Flash recycle time Approx. 4 seconds 3 Red-Eye Reduction Redeye reduction Flash Exposure Compensation +/- 2 EV in 1/3 increments Flash Exposure Bracketing Yes, with compatible external flash Flash Exposure Lock Yes, via AEL Button Second Curtain Synchronisation Yes HotShoe / PC terminal Yes/No External Flash Compatibility E-TTL II with EX series Speedlites, wireless multi-flash support External Flash Control Via camera setting/flash setting menu Shooting Modes Scene Intelligent Auto, Hybrid Auto, Creative Assist, SCN Self-Portrait, Portrait, Smooth Skin, Landscape, Sports, Close-up, Food, Panning, Handheld Night Scene, HDR Backlight Control, Creative Filters Grainy B/W, Soft Focus, Fish-eye Effect, Water painting effect, Toy camera effect, Miniature effect, HDR Art standard, vivid, bold, embossed, Program AE, Shutter priority AE, Aperture priority AE, Flexible Priority FV, Manual exposure, Movie Movie auto exposure, Movie manual exposure, HDR movies, Movie creative Effects, Time-lapse movie 3 scenes and custom Picture Styles Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined x3 Colour Space sRGB and Adobe RGB Image Processing Highlight Tone Priority standard and enhanced Auto Lighting Optimizer 4 settings Long exposure noise reduction High ISO speed noise reduction 4 settings + Multi Shot NR Lens peripheral illumination correction Chromatic aberration correction Diffraction correction Creative Assist Presets Background Blur 5 settings Brightness 19 levels Contrast 9 levels Saturation 9 levels Color Tone 1 & 2 9 levels Monochrome Off/Black and white/Sepia/Blue/Purple/Green Drive modes Single, High-Speed Continuous, Low-Speed Continuous, Self timer 2s, 10s, Custom, Remote Continuous Shooting One shot / Servo AF Approx. 14 shots/sec for up to 54 frames in JPEG and 23 frames in RAW or 36 in CRAW 4 intervalometer Shooting interval 10 sec.–99 hr. 59 min. 59 sec. Number of shots 1–99–Unlimited File Type Still Image Type JPEG Fine, Normal Exif compliant / Design rule for Camera File system RAW RAW CR3 14-bit, Digital Print Order Format [DPOF] Version compliant RAW+JPEG simultaneous recording Yes, RAW + various JPEG compression possible Image Size RAW 32 6960 x 4640, 43 6160 x 4640, 169 6960 x 3904, 11 4640x 4640 JPEG 32 L 6960 x 4640, M 4800 x 3200, S1 3472 x 2320, S2 2400 x 1600 JPEG 43 L 6160 x 4640, M 4256 x 3200 S1 3072 x 2320 S2 2112 x 1600 JPEG 169 L 6960 x 3904, M 4800 x 2688 S1 3472 x 1952 S2 2400 x 1344 JPEG 11 L 4640 x 4640, M 3200 x 3200, S1 2300 x 2300 S2 1600 x 1600 In-camera RAW processing & Image Resize available in playback Movie Type MP4 [Video MPEG-4 AVC/ Audio MPEG-4 AAC-LC stereo] Movie Size 4K - 3840 x 2160 25 fps Full HD - 1920 x 1080 100, 50, 25 fps HD - 1280 x 720 50 fps HDR - 1920 x 1080 25 fps 4K Timelapse - 3840 x 2160 25 fps Movie Length Max duration 29min 59sec. If 4 GB file size is exceeded in continuous movie recording, a separate 4 GB file will be produced Folders New folders can be created and selected File Numbering 1 Continuous, Auto Reset 2 Manual Reset Other Features Custom Functions 9 customisable buttons / 3 dials Metadata Tag User copyright information Author's Name, Copyright Details Image rating 0-5 stars Playback zoom in several steps plus smooth pinch-to-zoom Display Formats 1 Single image with information toggle options 2 Single image 3 Index display 4/9/36/100 images 4 Jump Display 1/10/custom number image, by shot date, by rating, by folder, by movies only, protected only Slide Show Playback time 1/2/3/5/10/20 seconds Repeat On/Off Transition Effects Off, Slide in 1-2, Fade 1-3. Background music Image Erase Protection Erase Single image, Selected images, Selected range, All images Protection Selected images, Selected range, All images. Unprotect all images Menu Categories 1 Shooting menu x8 2 Playback menu x4 3 Setup menu x5 4 Display menu 5 My Menu Menu Languages 29 Languages English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean, Malay, Indonesian, and Japanese Firmware Update Firmware update possible by the user. Body Materials Magnesium alloy and electrolytic zinc-coated steel sheet chassis, Polycarbonate, or polycarbonate with glass fiber, thermoplastic exterior Weight body only Approx 408g black, 408g white, CIPA testing standard including battery and memory card Interface Computer USB Type C Speed equivalent to High-speed USB Other Wireless LAN GHz only, 1-11 ch Bluetooth Specification version Bluetooth low energy technology 5 HDMI Micro - Type-D connector, Output options include [With info], [Clean / 4K output], and [Clean / FHD output]. HDR output to compatible TV supported Direct Print PictBridge Yes via USB or Wireless LAN Storage Type SD, SDHC, SDXC UHS-II compatible Supported Operating System PC & Macintosh Windows 10 / / 7 SP1 6 Mac OS X / / Software Image Processing Digital Photo Professional Other Picture Style Editor, EOS Utility, Image Transfer Utility Picture Style editor Camera Connect app available on iOS and Android devices 7 Power Source Batteries 1 x Rechargeable Li-ion Battery LP-E17 Battery life Approx. 305 shots at 23°C, AE 50%, FE 50% 8 Eco Mode Approx. 410 shots Movie Recording Approx. 80 mins Playback time when playing back a slideshow of still images Approx. 4 hrs Battery Indicator 4 levels Power saving Display off 15, 30 sec or 1, 3, 5, 10, 30 mins Auto Power Down 30 sec or 1, 3, 5, 10 mins, Disable ECO mode Power Supply & Battery Chargers Battery charger LC-E17 Accessories Viewfinder Optional Electronic Viewfinder EVF-DC1 type, 43 aspect ratio, Approx. 2,360,000 dots, 100% coverage. Approx. 43 g Optional Electronic Viewfinder EVF-DC2 type, 43 aspect ratio, Approx. 2,360,000 dots, 100% coverage. Approx. 29 g Cases / Straps Neck Strap EM-E2 light brown Neck Strap EM-E2BW brown Neck Strap EM-E2BK black Neck Strap EM-E2WH white Lenses EF-M lenses All EF and EF-S lenses compatible via Mount adapter EF-EOS M Flash Canon Speedlites including 90EX, 220EX, 270EX, 270EX II, EL-100, 320EX, 380EX, 420EX, 430EX, 430EX II, 430EX III, 430EX III-RT, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, 600EX II-RT, Macro-Ring-Lite, MR-14EX II, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT Off-Camera Shoe Cord OC-E3 Remote Controller / Switch Bluetooth Remote BR-E1 Other Interface Cable IFC-100U, IFC-400U Mount Adapter EF-EOSM USB Power Adapter PD-E1 All data is based on Canon standard testing methods except where indicated. Subject to change without notice. Dual Pixel CMOS AF - AF is possible over an area of up to approx. 100% Vertical x 88% Horizontal of the frame depending on the lens used. Recommended Exposure Index When battery is fully charged Continuous shooting speed is measured with a UHS-II compliant 32 GB card and based on Canon testing standards. Total number of frames captured and continuous shooting speed may vary depending on File size, number of possible shots, and shooting conditions including aspect ratio, subject, memory card brand, ISO speed, Picture Style, and Custom Function. Bluetooth functionality with Camera Connect app requires smart device to be equipped with Bluetooth version or later. Also requires smart All data is based on Canon standard testing methods except where indicated. Subject to change without notice. Dual Pixel CMOS AF - AF is possible over an area of up to approx. 100% Vertical x 88% Horizontal of the frame depending on the lens used. Recommended Exposure Index When battery is fully charged Continuous shooting speed is measured with a UHS-II compliant 32 GB card and based on Canon testing standards. Total number of frames captured and continuous shooting speed may vary depending on File size, number of possible shots, and shooting conditions including aspect ratio, subject, memory card brand, ISO speed, Picture Style, and Custom Function. Bluetooth functionality with Camera Connect app requires smart device to be equipped with Bluetooth version or later. Also requires smart device to be using operating system iOS or later or Android or later Software applications compatible with Windows 10 in Windows 10 Desktop Mode only Bluetooth functionality with Camera Connect app requires smart device to be equipped with Bluetooth version or later. Also requires smart device to be using operating system iOS or later or Android or later Based on the CIPA Standard and using the batteries and memory card format supplied with the camera, except where indicated News Canon has launched two high-speed, high resolution cameras - one DSLR and one mirrorless - the EOS 90D and the EOS M6 Mark II. The Canon 90D will be available from 12th September 2019 priced at £1, / €1, / $1199 body only, $1349 for EF-S 18-55mm f/ IS STM kit and $1599 for EF-S 18-135mm f/ IS USM kit The Canon M6 Mark II will be available from 26th September 2019 priced at £ / €1, / $ body only or £1, / €1, / $1099 with the EF-M 15-45mm IS STM lens and EVF-DC2 viewfinder, and $ for EF-M 18-150mm IS STM and EVF-DC2 kit. Canon Press Release Canon strengthens the EOS line up with a new mirrorless and DSLR, delivering high-speed shooting and incredible resolution United Kingdom, Republic of Ireland, 28 August 2019 - Canon Europe today announces the launch of two high-speed, high resolution cameras - one DSLR and one mirrorless - designed to take enthusiast photographers to the next skill level. Canon has a camera to suit any user - EOS 90D is a fast and reliable DSLR, with a familiar, robust body perfect for sport and wildlife photographers. For everyday life, EOS M6 Mark II is a compact, yet powerful mirrorless delivering beautifully sharp images - for photographers on the move. Alongside the two new Canon RF lenses announced today, these high-quality, fast models build on Canon’s popular EOS 80D DSLR and EOS M6 mirrorless cameras to provide a full choice for enthusiasts across the entire line-up. Never miss a moment With Canon’s new EOS 90D and EOS M6 Mark II cameras, photographers can capture and share life’s most fleeting moments. Both models are equipped with Canon’s latest generation DIGIC 8 processor which achieves fast processing speed, responsiveness and the latest in photo and movie functionality. The lightning-quick electronic shutter speed of 1/16000 second is perfect for shooting momentary subject movements, giving photographers confidence in time-sensitive shooting scenarios. With this shutter speed the aperture can be opened even wider to create a greater depth of field even in ambient lighting. Ideal for wildlife or sports photography, the EOS 90D shoots 10fps with autofocus tracking and 11fps in Live View. The optical viewfinder reduces lag time and enables the responsiveness needed to shoot wildlife, such as birds in flight, while an intelligent function gives complete visibility of the composition and shooting settings within the display. Where subjects are both quick and unpredictable, this fast frame rate and 58 L JPEG burst rate enables photographers to shoot continuously for a greater choice in imagery. EOS 90D also has an extended battery life with up to 1300 shots CIPA standard which allows enthusiasts to shoot all day, unencumbered by battery limitations. The mirrorless model, EOS M6 Mark II, is capable of a 14fps continuous frame rate and staggering 30fps RAW burst both modes with autofocus tracking, producing a quick and compact model which guarantees enthusiasts can photograph even the unexpected. To give photographers the best chance of shooting spontaneous action, this latest mirrorless camera from Canon has UHS-II card support with a burst rate of 80 L JPEG. Additionally, focus bracketing in both models makes it easy to achieve an extended depth of field by combining multiple shots in DPP. Unbeatable image quality Delivering high quality, detailed images free from shake and artefacts, these new cameras leverage a new APS-C CMOS sensor, which achieves full frame levels of resolution but with the additional benefit of reach provided by the APS-C format. Coupled with the DIGIC 8 processor, both newly launched models are enabled with the latest features from the EOS range which means photographers have greater reach, can crop further and take more detailed images than ever before. The processor also unlocks lens correction tools including the Digital Lens Optimiser and Diffraction Correction, which produce excellent images straight out of the camera. With incredible raw image quality and WiFi and Bluetooth capabilities, content creators can share images direct to social channels to create stunning, live content. For crisp, true to life photos which capture natural expressions and movements, Canon has incorporated a fast and accurate eye autofocus tracking solution in both cameras. In the EOS 90D, this works in collaboration with the 220,000-pixel RGB+IR metering sensor with Flicker Detection, for faithful face detection and greater control of overall exposure. This new sensor achieves greater resolution without compromising on low light performance, thanks to a high ISO of 100 – 25,600. Improving on the EOS M6, EOS M6 Mark II focuses at EV-5 when used with lenses with f/ or larger aperture – to perform even in cloudy moonlit conditions, as well of course as within buildings or shade. Future-proof content in 4K EOS 90D and EOS M6 Mark II are versatile cameras for stills and videos, capable of 4K resolution video utilising the full angle view of the lens attached and fast, Full HD up to 120 fps giving enthusiasts greater options for shooting, such as slow motion, cropped or super high resolution. 4K in cropped mode is also available from the EOS 90D, giving content creators the same great image quality, but with a further reach. This means operators can shoot high quality video even from a distance – a feature which provides enthusiasts the ability to capture stunning film in situations where they are unable to get up close to the action – like on safari. Canon’s renowned Dual Pixel CMOS AF system is available in both Full HD and 4K video modes and offers a wide area coverage of 88 x 100%, producing smooth, high-performance focus tracking in movies for professional-looking footage. When capturing moving subjects this ensures sharp subjects and a blurred background, while eye tracking defines the eyes of subjects, for sharper, more compelling movies. A microphone port gives vloggers and content creators alike the ability to use an external microphone to achieve clear, undistorted sound, while the EOS 90D also has a headphone port so content creators can have greater control over sound quality in videos while filming. This produces a good feed when the action is further away and minimises the amount of editing required in post-production as enthusiasts can manage sound levels as they record. For filming on the go, the portable EOS M6 Mark II has a handy tilting screen which ensures even selfie-style content is perfectly framed. Greater control and handling The ergonomic design of these models supports seamless and familiar handling to provide enhanced control for any style of photography. As the latest DSLR to join the EOS range, EOS 90D has a familiar, yet lighter body with a large grip for better handling and balance, particularly when using long lenses ideal for shooting sports or wildlife photography. With two multi-function dials – including one newly incorporated multi-controller, as found in the professional range on the rear of the camera - and customary EOS buttons, photography enthusiasts looking to enhance their skills can shoot instinctively and confidently with greater focus point selection and access to useful settings at their fingertips The EOS 90D is equipped with a number of customisable features which can be set to give a consistent look and feel to both photos and videos. Its Vari-Angle touch screen provides greater visibility of image composition whether shooting in high brightness or at a challenging angle. The compact size of EOS M6 Mark II enables a point and shoot style of photography needed to capture spontaneous moments on the go. A dial with function, main dial, customisable autofocus/manual focus selection switch and autofocus-start button are intuitively positioned for improved responsiveness in fast-paced shooting scenarios. The detachable viewfinder is raised and centrally aligned to create space and intuitive comfort for an immersive shooting experience, while the tilt-screen offers more creative capture and unrestricted video capabilities. Also launching today are two RF lenses - the RF 15-35mm IS USM and RF 24-70mm IS USM - expanding the pioneering lens line-up for the EOS R System. The EOS 90D is now available to pre-order from Canon’s online store and both will be on general sale from September 2019. For more information on the Canon EOS 90D please visit and for the Canon EOS M6 Mark II please visit Pricing and availability The Canon EOS 90D will be available from 12th September 2019 with the following RSPs • EOS 90D body only £1, / €1, The Canon EOS M6 Mark II will be available from 26th September 2019 with the following RSPs • EOS M6 Mark II body only £ / €1, • EOS M6 Mark II with EF-M 15-45mm IS STM + EVF-DC2 £1, / €1, Image Gallery Click on a thumbnail to see the full version. First Impressions We've spent some time shooting with the Canon EOS M6 Mark II and the EOS 90D DSLR cameras. Here are our initial first impressions... Canon is aiming to do the double and deliver high-resolution files and high speed captures with its latest two APS-C sensor incorporating interchangeable lens cameras – the mirrorless Canon M6 Mark II, and the Canon 90D DSLR. “We want to inspire our customers to explore a world of opportunities and tell their stories,” Canon UK’s Marketing Manager Didi Goddard told us at the London unveiling, “We’re still after every category that we have going.” She went on to share a market overview suggesting that Canon is still leading the DSC market, for which its G7 X Mark II is currently its best seller, while for CSC in the UK it has a strong’ number two position. That’s according to data from industry watcher GFK. She also revealed that Canon was still number one within the DSLR category for both APS-C models “which is still a massive focus for Canon” and full frame offerings such as the EOS 5D IV, EOS R and RP. Canon UK’s Product Specialist David Parry added that “People want the choice, so we’re sticking behind our ranges and growing them to get the best out of the technology that is available at the moment.” A case in point is its two new generation sensor-incorporating models. These are a replacement for the current 80D in the new EOS 90D, plus the EOS M6 Mark II, which replaces the original M6. David told us that, compared with its forebear, the Mark II is a super charged’ replacement, due the spec having been ramped up in comparison. The result, claimed David, is that internally the EOS 90D and EOS 6D Mark II’s technology “is almost exactly the same – it’s how you arrive at that final image that is different”. It’s not a great surprise to learn that the EOS 90D is aimed at the same type of user as the 80D – namely one who is into sports and wildlife photography. The new camera is, said David, all about resolution, speed and handling. By contrast, we were told, the M6 Mark II is more about capturing spontaneous moments, would be good for street photography, and is aimed at the technical enthusiast. “So you’d use this camera in a different way than you’d use the 90D.” Both are robust-feeling cameras when held in the palm, without being prohibitively heavy, even with lenses attached and batteries inserted. The weight of the 90D has even dropped by around 25g when compared to its predecessor and it now weighs a very manageable 701g without lens. Canon EOS 90D The EOS 90D’s APS-C sensor is combined with a Digic 8 processor, Dual Pixel CMOS AF like the rest of Canon’s current DSLR range, the ability to shoot 4K movies’ with no crop this time around at 30fps or 25fps, plus the ability to shoot up to 120fps in Full HD mode. Your videographer customers will want to know that the camera also delivers clean’ HDMI output, and is capable of shooting stills up to 10fps or 11fps if AF is fixed, making it, David suggests, a good step up for anyone owning a 70D or 80D. We also get 45 cross type AF points the standard AF system as also found on the 80D, focus bracketing, electronic shutter mode, an ISO100-25600 core range expandable to ISO51200, Wi-Fi and Bluetooth connectivity, fully articulated vari-angle touch screen control, two multi controller joysticks on the rear of the camera a first for the range, plus a considerably improved 1300 shot battery life CIPA standard even though it uses the same battery as the previous generation. There’s also microphone and headphone input here for video shooters. The compatible battery grip for the EOS 90D is the same as that for the 80D the BG-E-14, David added. Canon EOS M6 Mark II Moving on, key selling points of the physically smaller EOS M6 Mark II – on which Canon admitted design has not changed massively’ compared with the earlier M6, except that the grip is slightly larger – include the fact that it boasts a market leading’ 14fps capture speed with AF, plus 1/16000 sec electronic shutter. Like the 90D it boasts the new MP APS-C sensor, Dual Pixel CMOS AF, and Digic 8 processor, while ISO range is the same as its bigger DSLR brother’ too. Exposure compensation can be dialed down to -5EV, there’s a tilting touch screen once again, plus support for touch and drag AF functionality. The camera weighs 408g without any lens, is compatible with its optional EVF-DC2 viewfinder and can be bought in a kit that includes both EVF and zoom lens. Further features include 4K video capture with no crop, or Full HD shooting at 50/60P. The camera is also Wi-Fi and Bluetooth equipped. Full-frame RF Series Lenses and EOS R/RP Firmware Update Two new Canon lenses for its mirrorless R’ and RP’ cameras originally teased back at The Photography Show in March are also being made available for sale on the same day at the same time in the RF 15-35mm f/ L IS USM and RF 24-70mm f/ L IS USM. These are described as super sharp, portable, durable and just as good at movies as stills, thanks to nano USM’ technology that means they’re quiet as well as fast, as well as combined image stabilization Canon has sensor as well as lens based IS. We couldn’t shoot with these pre-production lenses at the launch, but were at least allowed to hold them and size them up for feel and weight. Manual focus operation is claimed to be really smooth Finally the brand has announced an EOS R/RP Eye AF firmware update. The improvement is that eye detection starts a lot earlier on the camera and is more accurate, it’s claimed. Hands On Want to see exactly what the new 32-megapixel Canon EOS M6 Mark II mirrorless camera looks like in the flesh? Check out our extensive hands-on gallery of photos of the Canon EOS M6 Mark II APS-C mirrorless camera. A gallery of hands-on photos of the new 32-megapixel Canon EOS M6 Mark II mirrorless camera. Image Gallery Click on a thumbnail to see the full version. Preview Images Ahead of our full review, here are some sample images taken with the Canon EOS M6 Mark II camera. The Canon EOS M6 II is a new mirrorless camera with a 32 megapixel APS-C sensor. A gallery of sample images taken with the Canon EOS M6 Mark II camera. Canon EOS M6 Mark II Sample Images Sample RAW Images The Canon EOS M6 Mark II enables users to capture RAW and JPEG format files. We've provided some Canon RAW CR3 samples for you to download thumbnail images shown below are not 100% representative. Sample Movies & Video This is a sample movie at the highest quality setting of 3840x2160 at 25 frames per second. Please note that this 20 second movie is 292Mb in size. This is a sample movie at the highest quality setting of 3840x2160 at 25 frames per second. Please note that this 41 second movie is 594Mb in size. Your Comments Introduction Ease of Use Image Quality Sample Images Product Images Conclusion Main Rivals Review Roundup Specifications News First Impressions Hands On Preview Images There is no sensitivity adjustment for the dial/knob controls of the M6 II, the only sensitivity adjustment is for the touch dials are standard encoder controls with mechanical steps. Do you hear/feel clicks as you rotate the dial? You should. Is the selected exposure value changing without the dial clicking? If either of these are happening then the encoder control is defective. You should feel regular solid detents as the dial is rotated and nothing should happen between these attempt should be made to clean this control, it can only be serviced by opening the camera and that is something that shouldn't be attempted by the typical EOS 1DX M3, 1DX M2, 1DX, 5DS R, M6 Mark II, 1D M2, EOS 650 film, many lenses, XF400 video ダウンロード前に下記の使用許諾契約書を必ずお読みください。ダウンロードを開始された場合には本許諾書に同意されたものとさせていただきます。 - 動画のパソコンへの取り込みは、キヤノンのアプリケーションで行ってください。 - Digital Photo Professional 4シリーズはDigital Photo Professional 1～3とレシピ互換はありません。 - Digital Photo Professional 4シリーズとDigital Photo Professional このソフトウェアを使用するには、お使いのパソコンが次の条件を満たしている必要があります。 1. 対象OS Windows 11, Windows 10 64bit 2. 対応パソコン 上記OSがプリインストールされているパソコン アップグレード機は動作保証外 .NET Framework * .NET Frameworkはマイクロソフト社のソフトウェアでDigital Photo Professional 4とともにインストールされます。インターネットに接続できる環境が必要。 CPU; - EOS-1D X Mark III, EOS R3, EOS R5, EOS R5 C, EOS R6 Mark II, EOS R6, EOS R7, EOS R8, EOS R10, EOS R50で撮影した画像 インテル Core iシリーズ 推奨 インテル Core i7以上 - それ以外のカメラで撮影した画像 インテル Core 2 Duo 推奨 インテル Core iシリーズ以上 RAM; - EOS-1D X Mark III, EOS R3, EOS R5, EOS R5 C, EOS R6 Mark II, EOS R6, EOS R7, EOS R8, EOS R10, EOS R50で撮影した画像 4GB以上 推奨8GB以上 - EOS R5 [IBISハイレゾ撮影] で撮影した画像：32GB以上 - それ以外のカメラで撮影した画像 2GB以上 推奨4GB以上 ストレージ; - インストール時： 300MB以上の空き容量 - 動作時： 600MB以上の空き容量 動画再生推奨環境; - 8K MP4 インテル Xeon E5-2687W v3 x2基以上, RAM 16GB以上 - 4K / Full HD 60/50/ MOV/MP4 Canon Log/HDR PQ記録 インテル Xeon E5-2687W v3 x2基以上, RAM 8GB以上 - 4K 60/50/ MP4 第8世代 インテル Core i7-8700以上, RAM 4GB以上 - 4K MOV/MP4 第6世代 インテル Core i7 4Core以上, RAM 4GB以上 - Full HD MOV/MP4 第4世代 インテル Core i7 4Core以上, RAM 4GB以上 * 8K / 4K解像度の動画を表示、再生する場合、AMD社製、NVIDIA社製GPUのご利用をお勧めします。 推奨環境を満たしていても、スムーズに再生できない可能性があります。 3. ディスプレイ - 解像度： 1,024x720 以上 推奨1,600x1,200 以上 4. 対応機種 EOS R100, EOS R8, EOS R50, EOS R6 Mark II, EOS R7, EOS R10, EOS R5 C, EOS R3, EOS Kiss M2, EOS R5, EOS R6, EOS Kiss X10i, EOS-1D X Mark III, EOS Ra, EOS M200, EOS 90D, EOS M6 Mark II, PowerShot G5 X Mark II, PowerShot G7 X Mark III, EOS Kiss X10, EOS RP, EOS R, PowerShot SX70 HS, EOS D2000*, EOS D6000*, EOS D30, EOS D60, EOS 10D, EOS Kiss Digital, EOS Kiss M, EOS Kiss X90, EOS-1Ds Mark III, EOS-1Ds Mark II, EOS-1Ds, EOS-1D X Mark II, EOS-1D X, EOS-1D Mark IV, EOS-1D Mark III, EOS-1D Mark II N, EOS-1D Mark II, EOS-1D C, EOS-1D, EOS 80D, EOS 7D Mark II, EOS 7D, EOS 70D, EOS 6D Mark II, EOS 6D, EOS 60Da, EOS 60D, EOS 5DS R, EOS 5DS, EOS 5D Mark IV, EOS 5D Mark III, EOS 5D Mark II, EOS 5D, EOS 50D, EOS 40D, EOS 30D, EOS 20Da, EOS 20D, EOS 9000D, EOS 8000D, EOS Kiss X9i, EOS Kiss X9, EOS Kiss X8i, EOS Kiss X80, EOS Kiss X7i, EOS Kiss X70, EOS Kiss X7, EOS Kiss X6i, EOS Kiss X50, EOS Kiss X5, EOS Kiss X4, EOS Kiss X3, EOS Kiss X2, EOS Kiss F, EOS Kiss Digital X, EOS Kiss Digital N, EOS M100, EOS M10, EOS M6, EOS M5, EOS M3, EOS M2, EOS M, PowerShot G16, PowerShot G15, PowerShot G12, PowerShot G11, PowerShot G10, PowerShot G9 X Mark II, PowerShot G9 X, PowerShot G9, PowerShot G7 X Mark II, PowerShot G7 X, PowerShot G5 X, PowerShot G3 X, PowerShot G1 X Mark III, PowerShot G1 X Mark II, PowerShot G1 X, PowerShot SX60 HS, PowerShot SX50 HS, PowerShot SX1 IS, PowerShot S120, PowerShot S110, PowerShot S100, PowerShot S95, PowerShot S90 * CR2 - HDR PQを使用する場合の推奨動作環境は以下の通りです。 対象機種 EOS-1D X Mark III, EOS R3, EOS R5, EOS R5 C, EOS R6 Mark II, EOS R6, EOS R7, EOS R8, EOS R10, EOS R50, EOS R, EOS 5D Mark IV CPU インテル Core iシリーズ RAM 4GB以上 推奨 8GB以上 - HDRディスプレイへHDR表示可能な環境は以下の通りです。 OS Windows 11, Windows 10でのディスプレイ設定で HDR表示を[ON]にできる環境であること。 最新のグラフィックス・ドライバーをインストールしてご使用ください。 - RAW動画ツールを使用するためには、以下の環境が必要です。 推奨環境 CPU Intel Xeon E5-2687W v3 x2基以上 GPU NVIDIA GeForce RTX 2080 RAM 32GB以上 ストレージ Read 400MB/s以上 最低環境 CPU Intel Core iシリーズ以上 GPU NVIDIA社製のGPU EOS-1D X Mark III, EOS R3 VRAM 4GB以上, EOS R5 VRAM 8GB以上 最新のNVIDIA社製ドライバがインストールされている必要があります。 ダウンロードおよびインストールを行うには、以下の手順に従ってください。 インストールする際には、他のアプリケーションソフトウェアを終了してください。 1. カメラ本体に記載されているシリアル番号を入力して、ダウンロードページから " をダウンロードします。PCの任意のフォルダへ " を保存してください。 2. PC上に保存した " を展開すると " というフォルダができるので、その中にある " をダブルクリックします。Digital Photo Professionalのインストールが開始されます。 （ [ユーザーアカウント制御] のウィンドウが表示された場合は「はい」を選択することでインストーラーが起動します。） 3. 画面の指示に従ってインストールを行ないます。 4. インストールが終了するとDigital Photo ProfessionalのインストーラーはPCの再起動を要求することがあります。その際はPCの再起動を行ってください。インストールが正常に終了すれば ダウンロードしたファイルと " は不要です。 Digital Photo Professional 4は、Picture Style をベースとした様々な画像調整機能により、思いのままの画像調整をスピーディーに行うことのできるキヤノン純正のRAW画像の閲覧、セレクト、現像アプリケーションです。 The store will not work correctly in the case when cookies are disabled. Features Overview Specs Reviews Resources Software Accessories Support High Image Quality with Megapixel CMOS APS-C Sensor. High-Speed Continuous Shooting of up to 14 fps with AF/AE Tracking. Dual Pixel CMOS AF with 5,481 Manually Selectable AF Positions*, and Eye AF Servo Support. 4K UHD 30p / Full HD 120p Video. Our Smart printer technology monitors your ink and toners usage, and automatically sends you more when your supply runs low. Free to enroll, no commitments, cancel anytime in your account. You only pay for what you need, when you need it! Need help making a purchase? Contact a Sales Expert at 800-385-2155 Return Policy The Canon Online Store will accept, for return or exchange, defective or unopened merchandise purchased at the Canon Online Store, subject to the exceptions and timeframe for returns listed below All merchandise returned to the Canon Online Store must be in the original packaging with all original items such as manuals, cables, etc. accompanying the merchandise and a copy of the invoice/packing slip included to be eligible for return or exchange. Shipping and handling fees from your original order will not be refunded, unless the merchandise is determined by the Canon Online Store, in its sole discretion, to be defective. See Return Policy for complete information. Technical Specifications View Full Technical Specs PDF Techs. Specs. Detailed PDF Type Type Digital single-lens non-reflex AF/AE camera with built-in flash Recording Media SD, SDHC and SDXC Memory Cards SD speed class compatibility. UHS speed class compatibility. High-speed writing is supported when a UHS-I or UHS-II-compatible SD card is used. Multimedia cards MMC cannot be used card error will be displayed. Image Format Approx. x APS-C Size Compatible Lenses Canon EF-M lens when using EF-M Mount Adapter EF/EF-S lens group Equivalent to approximately the focal length indicated on a mounted lens Image Sensor Pixels Effective pixels Approx. Megapixels Total pixels Approx. Megapixels * Pixels may decrease due to image processing. Pixel Unit Square pixel approx. μm Dust Removal Feature 1 Self Cleaning Sensor Unit Removes dust adhering to the low-pass filter. Self-cleaning can be done automatically when the power is turned on or off. Manual cleaning also possible. 2 Dust Delete Data acquisition and appending The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images. The dust coordinate data appended to the image is used by the EOS software to automatically erase the dust spots. Recording System Still Recording Format Design Rule for Camera File System and EXIF * Supports time difference information. Image JPEG, RAW CR3 a Canon 14-bit RAW format, C-RAW. File Size Aspect Ratio 32 169 43 11 Large Approx MP 6960 x 4640 Approx MP 6960 x 3904 Approx MP 6160 x 4640 Approx MP 4640 x 4640 Medium Approx MP 4800 x 3200 Approx MP 4800 x 2688 Approx MP 4256 x 3200 Approx MP 3200 x 3200 Small S1 Approx MP 3472 x 2320 Approx MP 3472 x 1952 Approx MP 3072 x 2320 Approx MP 2320 x 2320 Small S2 Approx MP 2400 x 1600 Approx MP 2400 x 1344 Approx MP 2112 x 1600 Approx MP 1600 x 1600 RAW/ C-RAW Approx MP 6960 x 4640 Approx MP 6960 x 4640 Approx MP 6960 x 4640 Approx MP 6960 x 4640 File Numbering Continuous, Auto Reset, Manual Reset RAW + JPEG Simultaneous Recording Yes Picture Style Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Def. 1-3 White Balance Settings 1 Auto Ambience/White priority 2 Day Light 3 Shade 4 Cloudy 5 Tungsten light 6 White fluorescent light 7 Flash 8 Custom 9 Color temperature White Balance Correction Blue/Amber ±9 levels Green/Magenta ±9 levels White balance bracketing available Viewfinder Viewfinder Information Attachment EVF-DC1 or EVF-DC2 connect to the hot shoe. Communication is performed through the use of a dedicated terminal attached to the shoe Autofocus Type Dual Pixel CMOS AF Face+Tracking AF, Spot AF, Zone AF, 1-point AF AF Points / AF Area Maximum 143 automatically selected Maximum 5481 manually selectable positions Horizontal approx. 88% x Vertical approx. 100% or Horizontal approx. 80% x Vertical approx. 80% Automatic switching based on lens AF Working Range EV -5–18 at room temperature, ISO 100, f/ center AF point, One-Shot AF Focusing Modes 1 Autofocus One-Shot AF Servo AF 2 Manual focus 3 Movie Servo AF Eye Detection AF Provided Touch & Drag AF Supported [With external EVF-DC1 or EVF-DC2] Still photo shooting only AF Assist Beam Built-in LED lamp MF Peaking Available Level High / Low, Color Red / Yellow / Blue Movie Servo AF speed Can be set when [Movie Servo AF Enable] and [AF method 1-point AF]. When active *Always on / During shooting AF Speed Slow -7, -6, -5, -4, -3, -2, -1, Standard, Fast +1, +2 * Works with lenses compatible with slow focus shift during movie recording. *If [when active] is set to [During shooting], the [Standard] speed will be used before shooting and Movie Servo AF at the set AF speed will be used during recording. Movie Servo AF Tracking Sensitivity Can be set when [Movie Servo AF Enable] and [AF method 1-point AF]. Locked on -3, -2, -1, 0, +1, +2, +3 Responsive Focusing Brightness Range Still Photo Shooting EV -5 to 18 center AF pointf/ center AF point, One-Shot AF, at 23°C/73°F, ISO 100 Movie Recording 4K movie EV to 18 center AF point Other than 4K movies EV -3 to 18 center AF point f/ center AF point, One-Shot AF, at 23°C/73°F, ISO 100 Full HD at / fps Exposure Control Metering Modes Real-time metering using the image sensor 1 Evaluative metering 384 zones 24 x16 2 Partial metering approx. of screen, at center 3 Spot metering approx. of screen, at center 4 Center-weighted evaluative metering Metering Range EV -2–20 at room temperature, ISO 100 Movie recording EV 0–20 at room temperature, ISO 100 Exposure Control Systems 1 Program AE 2 Shutter-priority AE 3 Aperture-priority AE 4 Manual exposure 5 Flexible-priority AE ISO Speed Range Recommended Exposure Index ISO Auto Range AUTO mode ISO 100-6400 Max. ISO Speed P mode ISO 25600 Creative Zone ISO Auto ISO100-25600 Manually set ISO100-25600, Hequivalent to 51200 Basic Zone ISO Auto Varies by shooting mode Exposure Compensation 1 Manual ±3 stops in 1/3- or 1/2-stop increments 2 AE Bracketing ±3 stops in 1/3- or 1/2-stop increments AE Bracketing can be used together with manual compensation. Shooting Mode Overview Creative Zone 1. Program AE Shiftable 2. Shutter-priority AE 3. Aperture-priority AE 4. Flexible-priority AE FV 5. Manual exposure 6. Custom shooting mode C1 or C2 Basic Zone 1. Scene Intelligent Auto Program AE/non-shiftable 2. Hybrid Auto 3. Special Scene a. Self Portrait b. Portrait c. Smooth skin d. Landscape e. Sports f. Panning g. Close-up h. Food i. Night Portrait j. Handheld Night Scene k. HDR Backlight Control 4. Creative Filters a. Grainy B/W b. Soft Focus c. Fish-eye Effect d. Toy Camera Effect e. Miniature Effect f. Water Painting Effect g. HDR Art Standard h. HDR Art Vivid i. HDR Art Bold j. HDR Art Embossed Shutter Type Vertical-travel mechanical focal-plane shutter, electronically controlled at all speeds Shutter Speeds Creative zone 1/4000 sec. to 30 sec., bulb Highest flash-sync shutter speed 1/200 sec 1/16000 when electronic shutter is selected. Basic Zone 1/4000 - 1 sec. Selection of Shutter Release method Shutter Mode Mechanical mechanical first and second curtain Electronic [ not available with HDR shooting, long exposure noise reduction, high ISO speed noise reduction, high ISO speed noise reduction, flash photography, continuous shooting, when AEB is set, or when flicker is detected. Shutter sound will not occur. Sound generated from other than the shutter such as aperture driving, focusing lens driving sound, or beeper may be audible. Timer Shooting Bulb timer Bulb exposure time settable Disable / Enable 1 sec. - 99 hr. 59 min. 59 sec. Interval Timer Disable / Enable Shooting interval 10 sec. - 99 hr. 59 min. 59 sec. Number of shots 1-99 unlimited * When using the lenses listed below, and if auto power off operates during interval timer shooting, the focusing position may be shifted. During interval timer shooting, disabling auto power off function or using lenses other than the following is recommended lenses EF-M 22mm f/2 STM, EF-M 32mm f/ STM. Self Timer Off, 2 sec. delay, 10 sec. delay, Custom, Remote Shooting, Continuous Time Lag LCD Monitor On Camera Start-up Time Approx. sec. based on CIPA testing standards Built-in Flash Type Retractable Manual pop-up flash Guide Number Approx. ISO 100, meters/feet Flash Coverage Covers approx. 15mm focal length 35mm film size conversion approx. 24mm Flash Exposure Compensation ±2 stops in 1/3- or 1/2-stop increments External Speedlite Flash Metering E-TTL II autoflash Flash Exposure Compensation ±2 stops in 1/3- or 1/2-stop increments External Flash Settings Flash functions settable with the camera. Drive System Drive Mode Single shooting, Continuous shooting High-speed continuous shooting, high-speed continuous + shooting, low-speed continuous shooting, panning, self-timer 10 sec/2 sec./remote control / continuous shooting Focus Bracketing Available Continuous Shooting Speed Approx. High-speed continuous + shooting*1 ONE SHOT AF Approx. 14 shots/sec. SERVO AF Approx 14 shots/sec. High-speed continuous shooting*1 ONE SHOT AF Approx. 7 shots/sec. SERVO AF Approx 7 shots/sec. Low-speed continuous shooting*1 ONE SHOT AF Approx. 3 shots/sec. SERVO AF Approx 3 shots/sec. Panning*2 Approx 4 shots/sec. *1 Conditions for max. Continuous shooting speed requires a fully charged Battery Pack LP-E17, lens EF-M15-45mm f/ IS STM, shutter speed of 1/1000 sec. or faster, maximum aperture f/ room temperature of 73°F/23°C, without flicker reduction. *2 With the shutter speed of 1/125, continuous shooting speed may vary depending on the shutter speed. ^BR-E1 is supported / RC-6 is not supported. Video Shooting File Format MP4 Video MPEG-4 AVC / variable average bit rate Audio MPEG-4 AAC-LC stereo File Size Recording Sizes 3840 x 2160 4K, 1920 x 1080 Full HD, 1280 x 720 HD, HDR movies, 4K Time-lapse movie, Full HD Time-lapse movie Frame Rates 4K [3840 x 2160] fps Full HD [1920 x 1080] fps / fps HD [1280 x 720] fps Estimated Recording time, Movie bit rate, and File size Movie Recording Size Recording File Size Bit rate/ File size approx. 8 GB 32 GB 128 GB 4k UHD 3840 x 2160 fps fps IPB 8 min. 35 min. 2 hr. 21 min. 120 Mbps 860 MB/min. Full HD 1920 X 1080 fps IPB 8 min. 35 min. 2 hr. 22 min. 120 Mbps 858 MB/min. fps IPB 17 min 1 hr. 10 min 4 hr. 43 min. 60 Mbps 431 MB/min. fps fps IPB 35 min. 2 hr. 20 min. 9 hr. 23 min. 30 Mbps 216 MB/min. fps IPB light 1 hr. 26 min. 5 hr. 47 min. 23 hr. 11 min 12 Mbps 87 MB/min. HD 1280 x 720 fps IPB 40 min. 2 hr. 42 min. 10 hr. 49 min. 26 Mbps 187 MB/min. † Recording bit rate of movie images only, sound data not included. * Movie recording stops automatically when the recording time reaches 2959 or 729 for a Full HD High Frame Rate Movie. * Movie recording does not stop automatically if the file size reaches 4 GB. [With exFAT-formatted SDXC cards, a movie is recorded as a single movie file even if it exceeds 4 GB] * The video and sound may be slightly out of sync when movies are played back in windows. Metering Modes Real-time metering using the image sensor 384-zone 24 x 16 metering 1 Evaluative metering ISO Speed Range Recommended Exposure Index ISO Auto Range AUTO and Manual mode ISO 100-6400 Expandable to ISO 12800 Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments Sound Recording Adjustment Sound Recording Auto, Manual, Disable Manual sound-recording level 64 levels Attenuator Auto / Enable / Disable Wind filter Auto/Disable Sound-recording level meter Provided can be checked in sound recording menu Movie Digital IS Movie Digital IS setting 4K Full HD/HD Disable Approx. 100% Approx. 100% Enable Approx. 90% Approx. 90% Enhanced Approx. 70% Approx. 70% Remains active when an IS lens is used with the IS switch set to ON. Provides 5-axis stabilization. Compatible lenses EF-M15-45mm IS STM, F-M 18-150mm IS STM. Compatible with coordinated control Combination IS - Remains active when a combination IS-compatible lens is used. - With incompatible non-IS lenses, only stabilization by the camera is available. - Movie digital IS is not available for HDR movies SCN, Creative filters, or time-lapse movies. HDMI Output / HDMI Output Information Display HDMI Resolution Auto / 1080p HDMI output for movie footage Supported HDMI information display Color sampling method Uncompressed YCbCr 422, 8-bit Color space Content in the output format set on the camera is displayed on the device connected via HDMI. The content that can be displayed varies depending on the specifications of the monitor connected via HDMI. Thus,display matching camera settings may not be supported. HDMI Information Display Content Displayed via HDMI, Camera Operation Auto Output of images and shooting information Camera screen is turned off Images are recorded to the card Clean / 4K UHD output Output of images in up to 4K resolution* without information Camera screen shows images with information No image is recorded to the card Wi-Fi communication disabled Clean / Full HD output Output of images in up to Full HD resolution* without information Camera screen shows images with information No image is recorded to the card Wi-Fi communication disabled * If the monitor connected via HDMI does not support the camera output format, the resolution of the output format is lowered for display but display may not be possible, depending on monitor specifications. HDMI Resolution HDMI Resolution Resolution NTSC Auto 4K 1080 / 480 1080p 1080 / 480 LCD Monitor Type TFT color liquid crystal monitor Monitor Size wide-screen Pixels Approx. million dots Features Tilt upwards approx. 180° + downwards approx. 45° Touch-screen Panel Provided Brightness Control Adjustable to one of 7 brightness levels. Interface Languages 29 English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, and Japanese Playback Display Format 1 Single-image display 2 1 shot + information display Simple information Detailed information Histogram Lens aberration correction 1, 2 Picture Style 1, 2 Noise reduction Correction data 3 Index display 4-image 9-image 36-image 100-image 4 Image rotation Quick Control Dial Provided Image Protection Provided Image Processing After Shooting In-camera RAW image processing Brightness adjustment up to 1 stops in 1/3-stop increments, white balance auto white balance provides [Ambience priority] and [White priority] settings, picture style, auto lighting optimizer, high ISO speed NR, image quality, color space, lens aberration correction peripheral illum corr, chromatic aberr corr, diffraction correction, distortion correction, digital lens optimizer. Direct Printing Compatible Printers PictBridge-compatible printers Printable Images JPEG, RAW*/C-RAW files are printable. *Prints JPEG images used for display, which are taken on the same model. Digital Print Order Format DPOF DCF-compliant DPOF compatible Version Customization Custom Controls Camera Controls/Buttons Customization Functions can be assigned to the following controls set in Custom Functions Shutter button Movie button AF-ON button AE lock button Cross button up, down, left, right SET button M-Fn button Dial function button Vertical viewfinder display* Viewfinder display format* Frame rate switching* *With External Viewfinder. Customized Dials Main dial Control Quick control dial Custom Shooting Mode Current camera settings can be registered to C1 and C2 on the Mode Dial. Automatic updating of the registered settings can be set to Enable or Disable. Interface Audio/Video OUT Terminal HDMI OUT terminal Type D HDMI output while recording available CEC not supported. Power Source Battery LP-E17 Operation using AC power supported with AC Adapter CA-PS700 and DC Coupler DR-E17. USB Power Adapter PD-E1 cannot be used to power EOS M6 Mark II, but can charge battery pack while in-camera. Battery Life Number of Still Image Shots CIPA compliant Monitor On Approx. 305 shots* Electronic Color Viewfinder On Approx. 250 shots * By default, the camera is set for power saving. Number of Still Image Shots Eco Mode On Monitor On Approx. 410 shots Movie Recording Time CIPA compliant Monitor On Approx. 1 hr 20 min. / Continuous Shooting Approx. 2 hr. 15 min. Electronic Color Viewfinder On Approx. 1 hr 10 min. / Continuous Shooting Approx. 2 hr 15 min. Playback Time Approx. 5 hr. * Time when playing back a slideshow of still images. * With a fully charged LP-E17. Dimensions and Weight Dimensions W x H x D Approx. x x in. x x * CIPA compliant. Weight Black Approx. oz. / 361g body only Approx. oz. / 408g including battery pack, memory card * CIPA compliant. * Weighed without body cap Silver Approx. oz. / 361g body only Approx. oz. / 408g including battery pack, memory card * CIPA compliant. * Weighed without body cap Operating Environment Working Temperature Range 32-104°F / 0-40°C SDK / API Compatibility USB Tethered SDK Are a developer and want to control select Canon cameras within your application? The Canon EDSDK allows you to set various camera settings, take a picture, and the retrieving of images remotely using a USB connection. The EDSDK is available at the Canon Developer Community website. Go to for more information. Wireless API Are a developer and want to control select Canon cameras within your application? The Canon CCAPI allows you to set various camera settings, take a picture, and the retrieving of images remotely using a Wi-Fi connection. The CCAPI is available at the Canon Developer Community website. Go to for more information. Product Disclaimer * Available AF points may decrease when shooting with AF cropping or in movie mode, or depending on camera settings or lens attached. ** Electronic viewfinder sold separately from EOS M6 Mark II camera body. EVF is included with lens kits. *** Compatible with iOS versions Android™ smartphone and tablet versions 5./ Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app. **** Compatible with select smartphone and tablet devices Android™ version 5. or later and the following iOS devices iPhone 4s or later, iPad 3rd gen. or later, iPod Touch 5th gen. or later equipped with Bluetooth version or later and the Camera Connect App Ver. This application is not guaranteed to operate on all listed devices, even if minimum requirements are met. ^ When using the EF-M 18-55mm f/ IS STM lens to shoot still photos or record movies with high ISO speeds, horizontal noise stripes may be recorded. If horizontal noise stripes appears, setting the lower ISO speed, or setting lower value for [Maximum] of [Auto range] still photo shooting or [Max for Auto] movie recording is recommended. Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test. Performance14fps or 30fps RAW burst mode 305-shot battery life Going on appearances, the Canon EOS M6 Mark II may not immediately strike you as being suited to action, sports and wildlife photography, but for a camera so diminutive it's actually packing some impressive specs that will appeal to photographers working in those genres. One such feature is 14fps shooting, which takes advantage of the sensor's full resolution, or if you're happy to drop down to 18-megapixel shooting, there’s a dedicated 30fps RAW burst mode. On the downside, the buffer isn’t huge – you’ll get 54 JPEGs or 23 raw files before it slows down, and a good workaround is to set it to capture smaller C-raw files, of which you’ll get 36. The official battery rating of the EOS M6 Mark II is a fairly unremarkable 305 shots, but with careful power management you can usually eke out far more than that. Good news here is that USB-C charging is on hand, which is great for power-ups on the move, or if you don't want to pack a whole lot of chargers when you qualityHighest-resolution Canon APS-C sensorUp to 25,600 native ISOGreat 'Fine Detail' Picture StyleThe new sensor inside the EOS M6 Mark II and indeed, the Canon EOS 90D comes with some pretty high expectations, thanks to its highest-ever resolution accolade – and happily, it’s capable of producing excellent-looking images. It’s disappointing not to see inbuilt optical image stabilization here, as it means you have to be a little bit careful with how you shoot, perhaps using faster shutter speeds or higher ISOs, but on the whole we were impressed with the performance from a camera that's so small and travel-friendly. We took lots of shots using the different Picture Style options, but our favorite is probably the Fine Detail setting, which takes advantage of that ultra-high pixel count to deliver images which almost pop from the screen, with excellent colors and bags of detail. Of course, many will also shoot in raw, and the M6 Mark II's raw files are fairly malleable, giving you good scope to adjust exposure in post-production.Image credit FutureOnly the EF-M 15-45mm f/ lens was supplied to us for testing with the camera, and while it's a decent walkabout lens for everyday use, you're likely to find that you crave better and/or more versatile optics at some point. Given the small size of the EOS M6 Mark II, a fantastic option for subjects like street and travel photography would be the EF-M 32mm f/ Having access to uncropped 4K video is excellent news, and here the EOS M6 Mark II also performs well, producing well-detailed, nicely saturated videos that any vlogger should certainly be happy with. The best travel cameras you can buy right now Amy has been writing about cameras, photography and associated tech since 2009. Amy was once part of the photography testing team for Future Publishing working across TechRadar, Digital Camera, PhotoPlus, N Photo and Photography Week. For her photography, she has won awards and has been exhibited. She often partakes in unusual projects - including one intense year where she used a different camera every single day. Amy is currently the Features Editor at Amateur Photographer magazine, and in her increasingly little spare time works across a number of high-profile publications including Wired, Stuff, Digital Camera World, Expert Reviews, and just a little off-tangent, PetsRadar. Most Popular

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